Napredni 40-kanalni (20-in/20-out) USB audio interfejs
Nova UCX generacija interfejsa sa 24-bit/192kHz konverzijom
Fireface UCX II je pro-audio rješenje za studio i live snimanje u ultrakompaktnom formatu. Nova generacija interfejsa nastavlja RME tradiciju upakivanja naprednih funkcija i visokih performansi u mala kućišta kako bi postigli prednost u mobilnosti opreme. Ovakve interfejse uglavnom nalazite u duplo većem 19” rekovskom formatu.
Ugrađeni AD/DA konverter ima ukupno 20 in i 20 out kanala, a interfejs se opremljen mnoštvom analognih i didgitalnik konekcija.
2 mikrofonska pretpojačala sa 75dB Gaina, 6 linijskih analognih ulaza i izlaza
Pored visoke 24-bit/192kHz AD/DA višekanalne konverzije tu je i mnošto analognih i digitalnih, MIDI u Word Clock konekcija koje će omogućiti da UCX II integrišete u napredni studijski sistem. na UCX II su ugrađena dva digitalno kontrolisana mikrofonska pretpojačala pro-studijskih performansi. Gain pojačanje od 75dB je dovoljno za najžednije dinamičke mikrofone koje većina interfejsa bez dodatnih pretpojačala ne može pogurati do optimalnog nivoa.
Dobijate šest analognih linijskih balaniranih ulaza i šest analognih linijskih balaniranih izlaza.
Digitalni ulazi i izlazi: ADAT, SPDIF, AES/EBU
Optički ADAT ulaz i izlaz omogućavaju proširenje sa dodatnih osam ulaza ili izlaza (8-kanala @ 24 bit, 48 kHz; 4-kanala @ 96kHz, 2-kanala @ 192kHz).
Digitalne AES/EBU i SPDIF konekcije prihvataju Consumer i profesionalne formate, pa se UCX II može integrisati u razne scenarije kućnih, studijskih i Broadcast sistema.
TotalMix FX za efekte i procesing bez latencije
Fireface UCX II dolazi sa RME TotalMix FX miksetom. Ovaj Dual-DSP sistem koristi jedan DSP čip za monitor mikseve, a drugi za efekte i procesing bez latencije. Rutiranje signala pomoću TotalMix FX daje mogućnost fleksibilnog miksanja 20 ulaznih, 20 seftverskih playback kanala i 20 hardevrskih izlaza. Svaki Fireface UCX II kanal raspolaže sa 3-pojasnim parametričkim EQom, Low-cut filterom, Echom, Reverbom, kompresorom, Expanderom i Auto level glasnoćom. To znači da tokom snimanja možete koristiti efekte i procesing koji želite, a da ne morate brinuti o latenciji i konfiguraciji vašeg računara.
DURec za direktno USB snimanje i Playback 40 kanala
Lociran na pozadini RME Fireface UCX II nalazi se DURec USB port. Ovdje je omogućeno direktno snimanje i playback 40 audio kanala na eksterni Hard Drive ili USB stick sa memorijom do 2TB. Poboljšane su performanse i pouzdanost sistema i sa sporijim USB stikovima.
Puna Stand-alone funkcionalnost
Kontrola funkcija je moguća direktno na komandnoj ploči. Četiri dugmića i rotirajući enkoder, displej u boji visoke rezolucije i pametno složen meni omogućava korisniku da brzo pronađe i konfiguriše postavke interfejsa. Dodatno, interna memorija omogućava pohranu šest različitih postavki. Tako je Fireface UCX II osposobljen da radi u stand-alone režimu bez spajanja na računar. U stand-alone režimu moguće ga je trasformisati u potpuno različite uređaje stiskom na dugmiće. TotalMix FX se može kontrolisati i preko MIDI interfejsa.
Specifikacija
Analog
AD, Line In 5-8, rear
- Resolution AD: 24 bit
- Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
- Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz
- Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz
- Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz
- THD: < -110 dB, < 0.00032 %
- THD+N: < -104 dB, < 0.00063 %
- Channel separation: > 110 dB
- Input: 6.3 mm TRS jack, electronically balanced
- Input impedance: 8 kOhm unbalanced, 12 kOhm balanced
- Input sensitivity switchable to +19 dBu and +13 dBu
- Variable gain: 0 to +12 dB
- Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
Line In 3-4, front
As AD, but:
- Additional Gain stage: 0 up to +12 dB
- Maximum input level, +19 dBu, Gain 0 dB: Line +19 dBu, Inst +13 dBu
- Maximum input level, +13 dBu, Gain 12 dB: Line +1 dBu, Inst -5 dBu
- Input impedance: Instrument 1 MOhm. Line 13 kOhm balanced, 9 kOhm unbalanced
- Input Gain Inst: +6 dB
- Input mode: Line balanced (TRS), Inst unbalanced (TS)
Microphone In 1-2, front
As AD, but:
- Input: XLR, electronically balanced
- Input impedance: 5.4 kOhm
- Gain range: 75 dB
- Maximum input level, Gain 0 dB: +18 dBu
- Maximum input level, Gain 75 dB: -57 dBu
- EIN: -128 dBu A-weighted, 60 dB gain,150 Ohm, 20 Hz – 20 kHz
Line In 1-2
As AD, but:
- Input: TRS, electronically balanced
- Input impedance: 10 kOhm balanced, 5 kOhm unbalanced
- Maximum input level, Gain 0 dB: +24 dBu
- Maximum input level, Gain 75 dB: -51 dBu
DA, Line Out 1-6, rear
- Resolution: 24 bit
- Dynamic range (DR): 112 dB RMS unweighted, 115 dBA
- Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz
- Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz
- Frequency response @ 192 kHz, -1 dB: 5 Hz – 89 kHz
- THD: < -108 dB, < 0.0004 %
- THD+N: < -104 dB, < 0.00063 %
- Channel separation: > 110 dB
- Maximum output level: +19 dBu
- Output: 6.3 mm TRS jack, servo-balanced
- Output impedance: 75 Ohm
- Output level switchable +19 dBu, +13 dBu, +4 dBu
DA – Stereo Monitor Output Phones (7-8)
As DA, but:
- Output: 6.3 mm TRS stereo jack, unbalanced
- Maximum output level at 0 dBFS, High: +19 dBu
- Maximum output level at 0 dBFS, Low: +4 dBu
- Output impedance: 1 Ohm
- Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)
MIDI
- 1 x MIDI I/O via 5-pin DIN jacks
- Galvanically isolated by optocoupled input
- Hi-speed mode: Jitter and response time typically below 1 ms
- Separate 128 byte FIFOs for input and output
Digital
- Clocks: Internal, ADAT, AES, SPDIF, word clock
- Jitter suppression of external clocks: > 50 dB (2.4 kHz)
- Effective clock jitter influence on AD and DA conversion: near zero
- PLL ensures zero dropout, even at more than 100 ns jitter
- Digital Bitclock PLL for trouble-free varispeed ADAT operation
- Supported sample rates: 28 kHz up to 200 kHz
Digital Inputs
AES/EBU
- 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
- High-sensitivity input stage (< 0.3 Vpp)
- SPDIF compatible (IEC 60958)
- Accepts Consumer and Professional format
- Lock range: 27 kHz – 200 kHz
- Jitter suppression: > 50 dB (2.4 kHz)
SPDIF coaxial
- 1 x RCA, according to IEC 60958
- High-sensitivity input stage (< 0.3 Vpp)
- Accepts Consumer and Professional format, copy protection will be ignored
- Lock Range: 27 kHz – 200 kHz
- Jitter suppression: > 50 dB (2.4 kHz)
ADAT Optical
- 1 x TOSLINK, format according to Alesis specification
- Standard: 8 channels 24 bit, up to 48 kHz
- Double Speed (S/MUX): 4 channels 24 bit 96 kHz
- Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
- Bitclock PLL ensures perfect synchronisation even in varispeed operation
- Lock range: 31.5 kHz – 50 kHz
- Jitter suppression: > 50 dB (2.4 kHz)
- SPDIF compatible (automatic detection)
Word Clock
- BNC
- Internal termination 75 Ohm switchable
- Automatic Double/Quad Speed detection and internal conversion to Single Speed
- SteadyClock guarantees super low jitter synchronization even in varispeed operation
- Not affected by DC-offsets within the network
- Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
- Overvoltage protection
- Level range: 1.0 Vpp – 5.6 Vpp
- Lock Range: 27 kHz – 200 kHz
- Jitter suppression: > 50 dB (2.4 kHz)
Digital Outputs
AES/EBU
- XLR, transformer-balanced, galvanically isolated, according to AES3-1992
- Output level Professional 4.5 Vpp, Consumer 2.6 Vpp
- Format Professional according to AES3-1992 Amendment 4
- Format Consumer (SPDIF) according to IEC 60958
- Single Wire mode, sample rate 28 kHz up to 200 kHz
SPDIF coaxial
- 1 x RCA, according to IEC 60958
- Output level Professional 1.2 Vpp, Consumer 0.6 Vpp
- Format Professional according to AES3-1992 Amendment 4
- Format Consumer (SPDIF) according to IEC 60958
- Single Wire mode, sample rate 28 kHz up to 200 kHz
ADAT
- 1 x TOSLINK, format according to Alesis specification
- Standard: 8 channels 24 bit, up to 48 kHz
- Double Speed (S/MUX): 4 channels 24 bit 96 kHz
- Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
Word Clock
- BNC
- Max. output voltage: 5 Vpp
- Output voltage @ 75 Ohm termination: 4.0 Vpp
- Output impedance: 10 Ohm
- Frequency range: 27 kHz – 200 kHz
General
- Power supply: external power supply
- Typical power consumption: 13 Watts
- Current at 12 Volt operating voltage: 910 mA (11 Watts)
- Dimensions incl. rack ears, full depth (WxHxD): 258 x 44 x 155 mm (10.16” x 1.73” x 6.1”)
- Dimensions without rack ears, body depth (WxHxD): 215 x 44 x 130 mm (8.5” x 1.73” x 5.1”)
- Weight: 910 g ( 2.0 lbs)
- Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
- Relative humidity: < 75%, non condensing
RME Fireface UCX II USB audio interfejs
Premium višekanalni USB audio interfejs, DAC, 40 kanala, 24-bit 192kHz
Original price was: 2.996 KM.2.696 KMCurrent price is: 2.696 KM.
Ima na stanju

BESPLATNA DOSTAVA za sve narudžbe preko 200KM a ROK ISPORUKE je jedan do tri radna dana ovisno o lokaciji
Napredni 40-kanalni (20-in/20-out) USB audio interfejs
Nova UCX generacija interfejsa sa 24-bit/192kHz konverzijom
Fireface UCX II je pro-audio rješenje za studio i live snimanje u ultrakompaktnom formatu. Nova generacija interfejsa nastavlja RME tradiciju upakivanja naprednih funkcija i visokih performansi u mala kućišta kako bi postigli prednost u mobilnosti opreme. Ovakve interfejse uglavnom nalazite u duplo većem 19” rekovskom formatu.
Ugrađeni AD/DA konverter ima ukupno 20 in i 20 out kanala, a interfejs se opremljen mnoštvom analognih i didgitalnik konekcija.
2 mikrofonska pretpojačala sa 75dB Gaina, 6 linijskih analognih ulaza i izlaza
Pored visoke 24-bit/192kHz AD/DA višekanalne konverzije tu je i mnošto analognih i digitalnih, MIDI u Word Clock konekcija koje će omogućiti da UCX II integrišete u napredni studijski sistem. na UCX II su ugrađena dva digitalno kontrolisana mikrofonska pretpojačala pro-studijskih performansi. Gain pojačanje od 75dB je dovoljno za najžednije dinamičke mikrofone koje većina interfejsa bez dodatnih pretpojačala ne može pogurati do optimalnog nivoa.
Dobijate šest analognih linijskih balaniranih ulaza i šest analognih linijskih balaniranih izlaza.
Digitalni ulazi i izlazi: ADAT, SPDIF, AES/EBU
Optički ADAT ulaz i izlaz omogućavaju proširenje sa dodatnih osam ulaza ili izlaza (8-kanala @ 24 bit, 48 kHz; 4-kanala @ 96kHz, 2-kanala @ 192kHz).
Digitalne AES/EBU i SPDIF konekcije prihvataju Consumer i profesionalne formate, pa se UCX II može integrisati u razne scenarije kućnih, studijskih i Broadcast sistema.
TotalMix FX za efekte i procesing bez latencije
Fireface UCX II dolazi sa RME TotalMix FX miksetom. Ovaj Dual-DSP sistem koristi jedan DSP čip za monitor mikseve, a drugi za efekte i procesing bez latencije. Rutiranje signala pomoću TotalMix FX daje mogućnost fleksibilnog miksanja 20 ulaznih, 20 seftverskih playback kanala i 20 hardevrskih izlaza. Svaki Fireface UCX II kanal raspolaže sa 3-pojasnim parametričkim EQom, Low-cut filterom, Echom, Reverbom, kompresorom, Expanderom i Auto level glasnoćom. To znači da tokom snimanja možete koristiti efekte i procesing koji želite, a da ne morate brinuti o latenciji i konfiguraciji vašeg računara.
DURec za direktno USB snimanje i Playback 40 kanala
Lociran na pozadini RME Fireface UCX II nalazi se DURec USB port. Ovdje je omogućeno direktno snimanje i playback 40 audio kanala na eksterni Hard Drive ili USB stick sa memorijom do 2TB. Poboljšane su performanse i pouzdanost sistema i sa sporijim USB stikovima.
Puna Stand-alone funkcionalnost
Kontrola funkcija je moguća direktno na komandnoj ploči. Četiri dugmića i rotirajući enkoder, displej u boji visoke rezolucije i pametno složen meni omogućava korisniku da brzo pronađe i konfiguriše postavke interfejsa. Dodatno, interna memorija omogućava pohranu šest različitih postavki. Tako je Fireface UCX II osposobljen da radi u stand-alone režimu bez spajanja na računar. U stand-alone režimu moguće ga je trasformisati u potpuno različite uređaje stiskom na dugmiće. TotalMix FX se može kontrolisati i preko MIDI interfejsa.
Specifikacija
Analog
AD, Line In 5-8, rear
- Resolution AD: 24 bit
- Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
- Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz
- Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz
- Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz
- THD: < -110 dB, < 0.00032 %
- THD+N: < -104 dB, < 0.00063 %
- Channel separation: > 110 dB
- Input: 6.3 mm TRS jack, electronically balanced
- Input impedance: 8 kOhm unbalanced, 12 kOhm balanced
- Input sensitivity switchable to +19 dBu and +13 dBu
- Variable gain: 0 to +12 dB
- Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
Line In 3-4, front
As AD, but:
- Additional Gain stage: 0 up to +12 dB
- Maximum input level, +19 dBu, Gain 0 dB: Line +19 dBu, Inst +13 dBu
- Maximum input level, +13 dBu, Gain 12 dB: Line +1 dBu, Inst -5 dBu
- Input impedance: Instrument 1 MOhm. Line 13 kOhm balanced, 9 kOhm unbalanced
- Input Gain Inst: +6 dB
- Input mode: Line balanced (TRS), Inst unbalanced (TS)
Microphone In 1-2, front
As AD, but:
- Input: XLR, electronically balanced
- Input impedance: 5.4 kOhm
- Gain range: 75 dB
- Maximum input level, Gain 0 dB: +18 dBu
- Maximum input level, Gain 75 dB: -57 dBu
- EIN: -128 dBu A-weighted, 60 dB gain,150 Ohm, 20 Hz – 20 kHz
Line In 1-2
As AD, but:
- Input: TRS, electronically balanced
- Input impedance: 10 kOhm balanced, 5 kOhm unbalanced
- Maximum input level, Gain 0 dB: +24 dBu
- Maximum input level, Gain 75 dB: -51 dBu
DA, Line Out 1-6, rear
- Resolution: 24 bit
- Dynamic range (DR): 112 dB RMS unweighted, 115 dBA
- Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz
- Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz
- Frequency response @ 192 kHz, -1 dB: 5 Hz – 89 kHz
- THD: < -108 dB, < 0.0004 %
- THD+N: < -104 dB, < 0.00063 %
- Channel separation: > 110 dB
- Maximum output level: +19 dBu
- Output: 6.3 mm TRS jack, servo-balanced
- Output impedance: 75 Ohm
- Output level switchable +19 dBu, +13 dBu, +4 dBu
DA – Stereo Monitor Output Phones (7-8)
As DA, but:
- Output: 6.3 mm TRS stereo jack, unbalanced
- Maximum output level at 0 dBFS, High: +19 dBu
- Maximum output level at 0 dBFS, Low: +4 dBu
- Output impedance: 1 Ohm
- Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)
MIDI
- 1 x MIDI I/O via 5-pin DIN jacks
- Galvanically isolated by optocoupled input
- Hi-speed mode: Jitter and response time typically below 1 ms
- Separate 128 byte FIFOs for input and output
Digital
- Clocks: Internal, ADAT, AES, SPDIF, word clock
- Jitter suppression of external clocks: > 50 dB (2.4 kHz)
- Effective clock jitter influence on AD and DA conversion: near zero
- PLL ensures zero dropout, even at more than 100 ns jitter
- Digital Bitclock PLL for trouble-free varispeed ADAT operation
- Supported sample rates: 28 kHz up to 200 kHz
Digital Inputs
AES/EBU
- 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
- High-sensitivity input stage (< 0.3 Vpp)
- SPDIF compatible (IEC 60958)
- Accepts Consumer and Professional format
- Lock range: 27 kHz – 200 kHz
- Jitter suppression: > 50 dB (2.4 kHz)
SPDIF coaxial
- 1 x RCA, according to IEC 60958
- High-sensitivity input stage (< 0.3 Vpp)
- Accepts Consumer and Professional format, copy protection will be ignored
- Lock Range: 27 kHz – 200 kHz
- Jitter suppression: > 50 dB (2.4 kHz)
ADAT Optical
- 1 x TOSLINK, format according to Alesis specification
- Standard: 8 channels 24 bit, up to 48 kHz
- Double Speed (S/MUX): 4 channels 24 bit 96 kHz
- Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
- Bitclock PLL ensures perfect synchronisation even in varispeed operation
- Lock range: 31.5 kHz – 50 kHz
- Jitter suppression: > 50 dB (2.4 kHz)
- SPDIF compatible (automatic detection)
Word Clock
- BNC
- Internal termination 75 Ohm switchable
- Automatic Double/Quad Speed detection and internal conversion to Single Speed
- SteadyClock guarantees super low jitter synchronization even in varispeed operation
- Not affected by DC-offsets within the network
- Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
- Overvoltage protection
- Level range: 1.0 Vpp – 5.6 Vpp
- Lock Range: 27 kHz – 200 kHz
- Jitter suppression: > 50 dB (2.4 kHz)
Digital Outputs
AES/EBU
- XLR, transformer-balanced, galvanically isolated, according to AES3-1992
- Output level Professional 4.5 Vpp, Consumer 2.6 Vpp
- Format Professional according to AES3-1992 Amendment 4
- Format Consumer (SPDIF) according to IEC 60958
- Single Wire mode, sample rate 28 kHz up to 200 kHz
SPDIF coaxial
- 1 x RCA, according to IEC 60958
- Output level Professional 1.2 Vpp, Consumer 0.6 Vpp
- Format Professional according to AES3-1992 Amendment 4
- Format Consumer (SPDIF) according to IEC 60958
- Single Wire mode, sample rate 28 kHz up to 200 kHz
ADAT
- 1 x TOSLINK, format according to Alesis specification
- Standard: 8 channels 24 bit, up to 48 kHz
- Double Speed (S/MUX): 4 channels 24 bit 96 kHz
- Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
Word Clock
- BNC
- Max. output voltage: 5 Vpp
- Output voltage @ 75 Ohm termination: 4.0 Vpp
- Output impedance: 10 Ohm
- Frequency range: 27 kHz – 200 kHz
General
- Power supply: external power supply
- Typical power consumption: 13 Watts
- Current at 12 Volt operating voltage: 910 mA (11 Watts)
- Dimensions incl. rack ears, full depth (WxHxD): 258 x 44 x 155 mm (10.16” x 1.73” x 6.1”)
- Dimensions without rack ears, body depth (WxHxD): 215 x 44 x 130 mm (8.5” x 1.73” x 5.1”)
- Weight: 910 g ( 2.0 lbs)
- Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
- Relative humidity: < 75%, non condensing
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